The new ”Texas Chainsaw Massacre”, which is available on Netflix, is crammed with more societal criticism than its short 83-minute frame can honestly handle, and it outstays its favor before a single individual is slaughtered. With the passion of a Marvel movie moniker characters from its own overarching storyline, director David Blue Garcia crams in references to a school massacre, the contentious Stand Your Ground statute, and Confederate flags.
All of the intellectualization around the original picture that occurred after its debut in 1974 contributed to its status as a classic. It was, above all, a stylish slasher film about a violent lunatic. The connection between the Vietnam War and vegetarianism was discovered considerably later, reports The Sun.
The new film, on the other hand, is always about something. Despite the fact that nothing much happens on the surface other than a handful of annoying adolescents being sheared to pieces in a Texas ghost town. The film maintains the same basic framework as Tobe Hooper’s original and acts as a direct sequel to it, disregarding the franchise’s nearly half-dozen sequels in the interim.
Instead of a beat-up Ford van, which was a hallmark of the Flower Power movement, the youths in this video drive around in a flashy Tesla, which almost comes off as the film mocking them. This is, by the way, a significant issue. It’s never clear whether the film is a satire on vest-wearing, MAGA-supporting rednecks.
Making A Better Goal
As a result, if one of the youngsters states in the film’s first few moments that they’ve traveled to Harlow with the goal of “making a better world,” the scene isn’t taken out. It permits them to retaliate against the weapon Texan they’ve previously insulted. He murmurs, “Makes it sound like a cult,” as if we’re supposed to agree with him. Around the same time, another protagonist, this one Black, notices a Confederate battle flag strewn across the side of a couple of centuries’ buildings and insists it is removed. The movie uses the same local Texan to make the children feel guilty about it yet again, almost as if it’s waving a thumb at them for insulting local culture.
The participation of Eighth Grade standout Elsie Fisher, who receives to do little more than slouch approximately, and the movie making pair Fede Alvarez and Rodo Sayagues, who worked previously on the Evil Dead reboot but more magnificently, were behind two Don’t Breathe movies, was the only rationale this one was slightly entertaining in the first place. They ought to have known better.
The latest ”Texas Chainsaw Massacre” is a brain monstrosity, devoid of ambiance, unoriginally shot on a commercial backlot, and crammed with wall-to-wall slaughter sequences of decreasing originality.
